NEW! geneva.b “Bus Fare” – First Single From Her Debut Album
geneva.b “Bus Fare”
Written by geneva.b and Ron Allen (SOCAN)
Produced by Ron Allen
Mixed and Mastered by Ron Allen
Toronto-based songstress geneva.b grew up on a steady diet of soft hits and yesterday’s classics thanks to dad’s radio station of choice, the ubiquitous k-lite FM in Hamilton. From choir girl to teen poet, geneva.b has been honing her songwriting skills for quite some time and has appeared on over a dozen underground releases, the fruits of which have landed her on the stages of various North American cities along the way.
Displaying a healthy respect for a well-crafted slow jam, “Bus Fare” – the first single from geneva.b’s debut album – is pensively introspective yet determined as the singer muses about a nagging urge to turn the page on someone who shouldn’t be. Ron Allen’s lush production and hard drums offset geneva.b’s breathy, stripped-down vocals, giving the track a dreamy, atmospheric quality sure to take the chill out of those long winter nights that turn into early Toronto mornings.
People of earth…. CNS (The Central Nervous System)
2010 is the year for CNS! This band is a fusion of Alternative Rock and Electro with a sound that will blow your mind! Look out for them in a city near you as they begin touring in early 2010.
CNS (The Central Nervous System)
When CNS (The Central Nervous System) opens the throttle, it’s a G-force jet ride, but the real shock is that this band is a two-piece, twin-engine duo.
Ruben Huizenga (guitars, synth, vocals) and Dr. Kenneth Griffin (drums) perform with a precision and power that recalls Bonham and Page, Johnny and Edgar Winter, Bono and Edge. Inject Bowie arrangements with Beastie Boys wit and cross it with Bad Company behaviour and you get the idea.
CNS pays homage to the 70′s but doesn’t get stuck in the past. “It’s a modern take on 1971, when the sound was unhindered and vinyl albums spun uninterrupted on turntables,” says Huizenga.
Today, it’s about as much about moving to the beats as being moved by the music, and that is why people are turning up the volume on CNS. If Humble Pie and The Who wrote with dance clubs in mind, this is what they would sound like.
CNS arrangements are mini-mixes, with clearly distinguished segments, which makes each song a rock-meets-beats symphony. Listen to “Dance Boy Dance” or “Meltdown” and you forget it’s one song.
Orchestral in the attack, singular in their drive, the tracks are lyrically sound and rock-steady. They blend seamlessly into the club mix , and when “Someday Never Comes” hits the monitors it always seems perfectly timed for the moment of the night. And tracks are welcome companions on the long-drive home, amped up and blasting in sequence on the car sound system at 3 a.m.
Even during an acoustic entry into a song, anticipation builds like the countdown on a dragstrip. When the song takes off, it takes your breath away.
Veteran musicians Huizenga and Griffin have a breadth and open-mindedness that is a breath of fresh air on the music scene today. They also have a secret weapon in form of a back tracks black box. He’s a powerful electronic companion on stage and in the studio. It’s the connective tissue that gives CNS the agility to leap decades — from deep groove to dance beat and back again. “We named him NOMAD. He never gets hangovers and he always show up for practice on time. “
CNS recalls an analog age and serves it up in 2010 with android assistance.
Booking: 360am(@)live.com
www.myspace.com/thecentralnervoussystem
